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A Day After a Hundred Years

JAPANESE ANIMATIONS

november 1 . 9.30 pm
Cinema Charlot

music and live score


PIERRE BASTIEN

Noburo Ofuji, Hakuzan Kimura, Shigeji Ogino

(JPN, 1926-1933, 46 min, M/12)

"A Story of Tobacco" (Noburo Ofuji, 1926, 3')

"A Ship of Oranges" (Noburo Ofuji, 1927, 6')

"At the Border Checkpoint" (Noburo Ofuji, 1930, 8')

"The Nation of Fish" (Hakuzan Kimura, 1928, 15')

"?/ Rhythmic Triangles/ Fighting Cards" (Shigeji Ogino, 1932, 4')

"A Day After a Hundred Years" (Shigeji Ogino, 1933, 10')

Prints . National Film Archive of Japan

With the support of the Embassy of Japan in Portugal, we pay homage to the Japanese animated cinema screening short films from the 1920s and 1930s, from the collection of the National Film Archive of Japan. Through a careful selection of magnificent films, we will introduce you to some of the pioneering artists and their works that contributed to the foundations of Japanese animation.

 

Japan has a long tradition of animated cinema, with its own language and to celebrate its 100th anniversary of Japanese animation, believed to have first been shown publicly in 1917. The NFC-National Film Archive of Japan provided a website in 2017 – with films that have been digitized and restored.

Despite its long tradition, only when in 1973 the animation “Belladonna of Sadness” was shortlisted to the main competition at the Berlin Film Festival and in 2002 Ghibli’s animation “Spirited Away” won the Golden Bear award of the Berlin Film Festival, Japanese animations have entered the public view and gradually gained a place in the world film industry. With a language of its own, early Japanese animator’s works were produced by a small team of artists, as a homemade handicraft business, where animators experimented with inexpensive ways – such as drawing directly onto the strips of film from which they were projected - to bring their visions to life. 

But these pioneers and practitioners, seeking to explore the aesthetic potential of a variety of media and techniques, have remained all but invisible to audiences beyond specialist festival circuits.

A STORY OF TOBACCO

Original title . "Kemurigusa monogatari ( 煙り草物語 )"

In front of a girl, a small man on a desk says: "women descended from tobacco".

A STORY OF TOBACCO
pierre batien bio

PIERRE BASTIEN

Pierre Bastien

Born in France, is what you might call a "mechanical composer": since the 1970s, he has been building his own orchestras of meccano musical machines. His 'mecanium' orchestra consists of a series of small machines that play instruments from all over the world. Accompanied by this hypnotic orchestra, Bastien also plays the instruments himself during his performances, which are distinguished by their extraordinary visual power. Surrounded by all his machines, Bastien brings to life a unique world of sound that he has presented at exhibitions and festivals around the world.

In recent years, Pierre Bastien and his machines collaborated with video artist Pierrick Sorin, fashion designer Issey Miyake, British singer and composer Robert Wyatt, Trottola circus company, musicians Alexei Aigi, Steve Arguelles and Phonophani. The most recent compositions were released on Western Vinyl and Rephlex. Pierre  accompanies this selection of animated shorts, giving us a poetic cine-concert, based on the joy of playing, improvising and fiddling with his mechanical orchestra.

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